Fusion of Impressionist techniques and oriental aesthetics of ink in still lifes with flowers

Abstract

This article explores the phenomenon of the fusion of impressionist painting techniques and oriental ink aesthetics in the field of still lifes with flowers, as well as its aesthetic significance. Through the analysis of the main characteristics of the two artistic traditions, their inner commonality hidden under the superficial differences is revealed, and the specific manifestation of this fusion in three dimensions is considered: composition, brushstroke and color, as well as its theoretical content. The study shows that such an intercultural art practice not only creates new visual forms, but also reflects an in-depth exploration of the essence of art, offering inspiring innovative ways for modern painting of floral still lifes.